Title: Buena Vista Social Club (1999) 7.6. It was a relief when he sat out of a performance. I really wanted to jump into the film, tap him on the shoulder and ask.

1. Buena Vista Social Club Cuba
2. Buena Vista Social Club Movie

Ernst Wilhelm 'Wim' Wenders (German: [vɪm vɛndɐs]; born 14 August 1945) is a German filmmaker, playwright, author, and photographer. He is a major figure in New German Cinema. Among many honors, he has received three nominations for the Academy Award for Best Documentary Feature: for Buena Vista Social Club (1999), about Cuban music culture; Pina (2011), about the contemporary dance choreographer Pina Bausch; and The Salt of the Earth (2014), about Brazilian photographer Sebastião Salgado.

One of Wenders' earliest honors was a win for the BAFTA Award for Best Direction for his narrative drama Paris, Texas (1984), which also won the Palme d'Or at the 1984 Cannes Film Festival. Many of his subsequent films have also been recognized at Cannes, including Wings of Desire (1987), for which Wenders won the Best Director Award at the 1987 Cannes Film Festival.

Wenders has been the president of the European Film Academy in Berlin since 1996. Alongside filmmaking, he is an active photographer, emphasizing images of desolate landscapes.^[1][2] He is considered to be an auteur director.^[3]

Early life[edit]

Wenders was born in Düsseldorf into a traditionally Catholic family. His father, Heinrich Wenders, was a surgeon. The use of the Dutch name 'Wim' is a shortened version of the baptismal name 'Wilhelm'. As a boy, he took unaccompanied trips to Amsterdam to visit the Rijksmuseum. He graduated from high school in Oberhausen in the Ruhr area. He then studied medicine (1963–64) and philosophy (1964–65) in Freiburg and Düsseldorf. However, he dropped out of university studies and moved to Paris in October 1966 to become a painter. Wenders failed his entry test at France's national film school IDHEC (now La Fémis), and instead became an engraver in the studio of Johnny Friedlander, in Montparnasse. During this time, Wenders became fascinated with cinema, and saw up to five movies a day at the local movie theater.

Set on making his obsession also his life's work, Wenders returned to Germany in 1967 to work in the Düsseldorf office of United Artists. That fall, he entered the 'Hochschule für Fernsehen und Film München' (University of Television and Film Munich). Between 1967 and 1970 while at the 'HFF', Wenders also worked as a film critic for FilmKritik, then the Munich daily newspaper Süddeutsche Zeitung, Twen magazine, and Der Spiegel.

Wenders completed several short films before graduating from the Hochschule with a feature-length 16mm black-and-white film, Summer in the City.

Career[edit]

Wenders began his career during the New German Cinema era of the late 1960s, making his feature directorial debut with Summer in the City (1970). Much of the distinctive cinematography in his movies is the result of a highly productive long-term collaboration with Dutch cinematographer Robby Müller. Some of his more successful and critically acclaimed movies—Paris, Texas and Wings of Desire, for example—have been the result of fruitful collaborations with avant-garde authors Peter Handke and Sam Shepard. Handke's novel, The Goalie's Anxiety at the Penalty Kick was adapted for Wenders' second feature film, The Goalkeeper's Fear of the Penalty. Handke co-wrote the script for Wings of Desire and Until the End of the World, both featuring Solveig Dommartin.

Wenders has directed several highly acclaimed documentaries, most notably Buena Vista Social Club (1999), about Cuban musicians, and The Soul of a Man (2003), on American blues. He has also directed a documentary style film on the Skladanowsky brothers, known in English as A Trick of the Light.^[4] The Skladanowsky brothers were inventing 'moving pictures' when several others like the Lumière brothers and William Friese-Greene were doing the same. Alongside Buena Vista Social Club his documentaries on Pina Bausch, Pina, and Sebastiao Salgado, The Salt of the Earth also received nominations for the Academy Award for Best Documentary Feature.

He has also directed many music videos for groups such as U2 and Talking Heads, including 'Stay (Faraway, So Close!)' and 'Sax and Violins'. His television commercials include a UK advertisement for Carling Premier Canadian beer.

Wenders' book, Emotion Pictures, a collection of diary essays written while a film student, was adapted and broadcast as a series of plays on BBC Radio 3, featuring Peter Capaldi as Wenders, with Gina McKee, Saskia Reeves, Dennis Hopper, Harry Dean Stanton and Ricky Tomlinson, dramatised by Neil Cargill.

Wenders was collaborating with artist/journalist and longtime friend Melinda Camber Porter on a documentary feature about his body of work, Wim Wenders - Visions on Film, when Porter died – the film remains incomplete.^[5]

Wenders is a member of the advisory board of World Cinema Foundation. The project was founded by Martin Scorsese and aimed at finding and reconstructing world cinema films that have been long neglected. He serves as a Jury Member for the digital studio Filmaka, a platform for undiscovered filmmakers to show their work to industry professionals.^[6]

In 2011 he was selected to stage the 2013 cycle of Richard Wagner's Der Ring des Nibelungen at the Bayreuth Festival,^[7] a reflection of his capacity to produce imaginative tributes to great works of art.^[8] The project fell through when he insisted on filming in 3-D, which the Wagner family found too costly and disruptive.^[9]

While promoting his 3-D dance film, Pina, Wenders told the Documentary channel Blog in December 2011 that he has already begun work on a new 3-D documentary, this one about architecture.^[10] He also has said that he will only be working in the 3-D film format from now on.^[11] Wenders admired the dance choreographer Pina Bausch since 1985, but only with the advent of digital 3-D cinema did he decide that he could sufficiently capture her work on screen.^[12]

He will stage director debut for Georges Bizet's opera Les Pêcheurs de perles starring Olga Peretyatko, Francesco Demuro, conducted by Daniel Barenboim at Berlin State Opera in June 2017 (Staatsoper).

In an interview with Christiane Amanpour in May 2018, Wim indicated that his favorite movie of all time, was his movie about Pope Francis, that his entire career had been building up to it. His admiration for the Pope is profound, as he feels that the Pope is doing his best, in a difficult time, in a world full of calamities. When questioned by Amanpour, he indicated that he was born a Catholic but had converted to the Protestant faith, years ago.

Photography[edit]

Alongside filmmaking, Wim Wenders works with the medium of photography and his poignant images of desolate landscapes engage themes including memory, time, loss, nostalgia and movement.^[1][2] Wenders' long-running artistic project, 'Pictures from the Surface of the Earth', began in the early 1980s and was subsequently pursued by the artist for the next twenty years. The initial photographic series in this body of work was titled 'Written in the West' which Wenders produced when criss-crossing through the American West in preparation for his film Paris, Texas (1984). This became the starting point for the artist's nomadic journey across the globe, travelling through countries including Germany, Australia, Cuba, Israel and Japan to take photographs which capture the essence of a moment, place or space.^[13]

Selected exhibitions[edit]

2016

'The Space Between the Characters Can Carry the Load', Collection Ivo Wessel, Weserburg Museum for modern Art, Bremen, DE

2015

• Wim Wenders: America, Villa e collezione la Panza, Varese, IT ^[14]
• Wim Wenders: 4REAL & TRUE2. Wim Wenders. Landscapes and Photographs, Museum Kunstpalast, Düsseldorf, DE
• 'time capsules. by the side of the road. Wim Wenders' recent photographs', BlainSouthern, Berlin, DE
• 'In broad daylight even the sounds shine. Wim Wenders scouting in Portugal', curated by Anna Duque y González and Laura Schmidt Reservatório da Mãe d'Água das Amoreiras, Lisbon^[15]

2014

• Wim Wenders: Places Strange & Quiet, GL Strand, Copenhagen, DK
• Wim Wenders: Urban Solitude, Palazzo Incontro, Rome, IT

2013

• Wim Wenders. Appunti di Viaggio. Armenia Giappone Germani. Villa Pignatelli, Naples, IT
• Wim Wenders: Photographs, Fundació Sorigué, Leida, ES

2012

• Places Strange and Quiet, Ostlicht. Galerie Für Fotografie, Vienna, AT
• Places, strange and quiet, Harald Falckenberg Exhibition Space, Deichtorhallen, Hamburg, DE
• Wim Wenders: Pictures from the Surface of the Earth,^[16]Multimedia Art Museum, Moscow, RU

2011

• Places, strange and quiet, Haunch of Venison, London, UK

2010

• Places, strange and quiet, Museu de Arte de São Paulo, São Paulo, BR

2006

• Wim Wenders: Immagini dal pianeta terra, Scuderie del Quirinale, Rome, Italy
• Journey to Onomichi – Photos by Wim and Donata Wenders, Omotesando Hills, Tokyo, Japan
• Pictures from the Surface of the Earth, images from touring exhibition, Salon of the Museum of Contemporary Art, Belgrade, Serbia
• Dark Places, curated by Joshua Decter, Santa Monica Museum of Art, Santa Monica, California

2005

• The Forest: Politics, Poetics, and Practice, Nasher Museum of Art at Duke University, Durham, North Carolina
• Through the Lens, group exhibition, C. Grimaldis Gallery, Baltimore, Maryland

2004–05

• Pictures from the Surface of the Earth, ARoS Aarhus Kunstmuseum, Århus C, Denmark

2004

• Pictures from the Surface of the Earth, Australia and Japan, James Cohan Gallery, New York
• Between The Lines, group exhibition, James Cohan Gallery, New York
• Images of Time and Place: Contemporary Views of Landscape, group exhibition, Lehman College Art Gallery, Bronx, New York
• Wim Wenders, Galleria Marabini, Bologna, Italy
• Through the Lens: Eight Photographers, group exhibition, C. Grimaldis Gallery, Baltimore, Maryland.

2003

• Wim Wenders, James Cohan Gallery, New York
• Wim Wenders, Galerie Judin Belot, Zurich, Switzerland

2000–04

• Pictures from the Surface of the Earth, touring exhibition: Hamburger Bahnhof, Berlin (2001), Guggenheim Museum, Bilbao (2002), Haunch of Venison, London (2003); Museum of Contemporary Art, Sydney (2003); City Art Gallery, Wellington, New Zealand; Millennium Art Museum, Beijing, China; Shanghai Museum of Art, Shanghai, China; Guangdong Museum of Art, Guangzhou, China (2004)

2000

• Buena Vista Social Club, Rose Gallery, Bergamot Station, Santa Monica, California

1996

• Wim Wenders: Landscape and Memory, Gallery of Contemporary Photography, Santa Monica
• Wim Wenders: Photos, in conjunction with the publication, Wim Wenders: Photos, Munich Goethe Institute (1996), Goethe Institutes worldwide

1995

• Wim Wenders: Landscape and Memory, Gallery of Contemporary Photography, Santa Monica, California

1993–95

• Wim Wenders Photo Exhibition, in conjunction with the publication, Once, Munich: Schirmer/ Mosel (2001), touring exhibition: Palazzo delle Esposizioni, Rome (1993); Villa delle Rose, Bologna (1994); FNAC, Paris (1994); Parco, Tokyo (1994); FNAC, Berlin (1995); Villa Rufolo, Ravello (1995)

1989–94

• Wim Wenders Photographs, touring exhibition: Galerie F. C Gundlach, Hamburg (1989); Galerie Marie-Louise Wirth, Zürich (1990); Hochschule für Fernsehen und Film, Munich (1991); Fahey/Klein Gallery, Los Angeles (1991); Shibuya Seibu Dept. Store, Tokyo (1992); Kiyomizu

1989–94

• Temple, Kyoto (1992); Musée de l'Élysée, Lausanne (1992); Amerika Haus, Berlin (1992); Venice Biennale (1993); Louisiana Museum of Modern Art, Humlebaek (1993); Sala Parpallo Palau Dels Scala, Valencia (1994); San Telmo Museum, San Sebastian (1994)

1986–92

• Written in the West, in conjunction with the publication, Written in the West, Munich: Schirmer/Mosel (1987), touring exhibition: Centre Georges Pompidou, Paris (1986); Encontros de Fotografia, Coimbra (1987); Palazzo della Triennale di Milano (1988); Film Society of Miami (1988); Goethe Institut, Stockholm (1988); Goethe Institut, Copenhagen (1988); Saint-Yrieix-La-Perche (1990); Städtische Galerie Schwarzes Kloster, Freiburg (Breisgau) (1992)

Legacy and honors[edit]

Wenders has already received many awards, including the Golden Lion for The State of Things at the Venice Film Festival (1982); the Palme d'Or at the 1984 Cannes Film Festival for his movie Paris, Texas; and Best Direction for Wings of Desire in the 1987 Bavarian Film Awards^[17] and the 1987 Cannes Film Festival. In 1993 he won the Bavarian Film Awards for Best Director for Faraway, So Close!.^[17] In 2004, he received the Master of Cinema Award of the International Filmfestival Mannheim-Heidelberg. He was awarded the Leopard of Honour at the Locarno International Film Festival in 2005. In 2012, his dance film Pina was nominated for the Best Documentary Feature of the 84th Academy Awards.^[18] Wenders also received a nomination for the Writers Guild of America Award for Best Documentary Screenplay for the film.^[19]

He has been awarded honorary doctorates at the Sorbonne in Paris in 1989, at the University of Fribourg (Switzerland) in 1995 and at the Université Catholique de Louvain, Belgium in 2005.

In 2012 the Wim Wenders Foundation was created in Düsseldorf creating a framework to bring together the cinematic, photographic, artistic and literary lifework of Wim Wenders in his native country and to make it permanently accessible to the general public worldwide.^[20]

He was presented with the Honorary Golden Bear at the 65th Berlin International Film Festival in February 2015.^[21] In 2016, Wenders received the Großer Kulturpreis of the Sparkassen Culture-Foundation Rhineland, one of the highest endowed cultural honorings in Germany, with previous winners such as photographer legend Hilla Becher, sculptor Tony Cragg, musician Wolfgang Niedecken and director Sönke Wortmann. In 2017, Wenders received the Douglas Sirk Award at the Hamburg Film Festival.^[22]

Filmography[edit]

Selected bibliography[edit]

• Wenders, Wim (1984), Paris, Texas, Nördlingen: Greno, ISBN978-3-921568-11-8
• Wenders, Wim (1986), Emotion pictures: Essays und Filmkritiken, 1968–1984, Frankfurt: Verlag der Autoren, ISBN978-3-88661-078-5
• Wenders, Wim (1989), Emotion pictures: reflections on cinema, London: Faber and Faber, ISBN978-0-571-15271-1
• Shepard, Sam; Wenders, Wim (1991), Paris, Texas: Screenplay, New York: Ecco Press, ISBN978-0-88001-266-9
• Wenders, Wim; Hofmann, Michael (1992), The logic of images: essays and conversations, London: Faber and Faber, ISBN978-0-571-16517-9
• Wenders, Wim; Handke, Peter (1998), Der Himmel über Berlin: Ein Filmbuch von Wim Wenders und Peter Handke (in German), Berlin: Suhrkamp Verlag, ISBN978-3-518-02406-5
• Wenders, Wim; Wenders, Donata (2000), The heart is a sleeping Beauty: the Million Dollar Hotel - a film book, New York: teNeues, ISBN978-3-8238-5468-5
• Wenders, Wim; Hofmann, Michael (2000), My time with Antonioni: the diary of an extraordinary experience, London: Faber and Faber, ISBN978-0-571-20076-4
• Wenders, Wim (2001), Written in the West, New York: teNeues, ISBN978-3-8238-5469-2
• Wenders, Wim (2001), Once: pictures and stories, New York: D.A.P./Schirmer/Mosel, ISBN978-1-891024-25-2
• Wenders, Wim; Hofmann, Michael (2001), On film: essays and conversations, London: Faber and Faber, ISBN978-0-571-20718-3
• Lindbergh, Peter; Wenders, Wim (2002), Peter Lindbergh: stories, Santa Fe: Arena Editions, ISBN978-1-892041-64-7
• Steinhilber, Berthold; Wenders, Wim (2003), Ghost towns of the American West, New York: Harry N. Abrams, ISBN978-0-8109-4508-1
• Wenders, Wim; Tawada, Yoko (2007), Where Europe begins, New York: New Directions Publishers, ISBN978-0-8112-1702-6
• Wenders, Wim; Zournazi, Mary (2013), Inventing Peace: A Dialogue on Perception, London: I.B.Tauris, ISBN978-1-78076-693-5

See also[edit]

References[edit]

1. ^ ^ab'Wim Wenders: Places, Strange And Quiet – in pictures Art and design'. Theguardian.com. Retrieved 2015-03-17.
2. ^ ^abArt Photography. 'Wim Wenders: Show, don't tell'. Telegraph.co.uk. Retrieved 2015-03-17.
3. ^Lehrer, Adam. 'MoMA Celebrates Auteur Director Wim Wenders With Retrospective'. Retrieved 23 June 2017.
4. ^A Trick of the Light on IMDb
5. ^http://www.wimwendersfilmfestival.com/#!a-b-o-u-t/cfp1Archived 2015-12-22 at the Wayback Machine
6. ^'Profile Jury'. Filmaka.com. 1945-08-14. Archived from the original on 2009-07-10. Retrieved 2015-03-17.
7. ^'German Information Centre South Asia Facebook'. German-info.com. 2015-03-08. Retrieved 2015-03-17.
8. ^[1]Archived December 3, 2013, at the Wayback Machine
9. ^[2]Archived December 3, 2013, at the Wayback Machine
10. ^[3]Archived December 5, 2012, at the Wayback Machine
11. ^'It's 3D or Bust for 'Pina' Director Wim Wenders - Speakeasy - WSJ'. Blogs.wsj.com. 2011-12-23. Retrieved 2015-03-17.
12. ^'Wim Wenders On 'Pina': A Dance Documentary In 3-D'. NPR.org. Retrieved 2018-01-24.
13. ^Rose, Barbara (2004-01-01). 'Wim Wenders: Pictures From the Surface of the Earth'. Brooklynrail.org. Retrieved 2015-03-17.
14. ^Italiano, FAI - Fondo Ambiente. 'Wenders in mostra a Villa Panza con il FAI – Fondo Ambiente Italiano'. www.wimwendersvillapanza.it. Retrieved 23 June 2017.
15. ^http://www.epal.pt/EPAL/menu/museu-da-água/atividades-e-serviços/exposições-temporárias
16. ^'Wim Wenders, Pictures from the Surface of the Earth'. Multimedia Art Museum, Moscow.
17. ^ ^ab[4]Archived March 25, 2009, at the Wayback Machine
18. ^'Nominees for the 84th Academy Awards'. Oscars.org. Retrieved 2012-01-28.
19. ^Fernandez, Jay A. (19 February 2012). 'Writers Guild Awards: Complete Winners List'. The Hollywood Reporter. Retrieved 18 February 2019.
20. ^'The Foundation - Wim Wenders Stiftung'. wimwendersstiftung.de. Retrieved 23 June 2017.
21. ^'Homage 2015 and Honorary Golden Bear for Wim Wenders'. Berlinale.de. Retrieved 5 October 2014.
22. ^'Awards Ceremony'. filmfesthamburg.de.
23. ^'Berlinale 2011: First Competition Films'. Berlinale.de. Retrieved 2011-01-03.

External links[edit]

• Wim Wenders on IMDb
• filmportal.de including biography, filmography and photos
• Wim Wenders Interview (portuguese subtitles; Flash/HTML5) on YouTube
• Interview with Wim Wenders (in three parts; Flash/HTML5) on YouTube
• Interview with Wim Wenders(in German)

Buena Vista Social Club is a 1999 documentary film directed by Wim Wenders about the music of Cuba. It is named for a danzón that became the title piece of the album Buena Vista Social Club; the film is an international co-production of Germany, the United States, the United Kingdom, France, and Cuba.

• 4Release

Content[edit]

The film documents how Ry Cooder, long-time friend of Wenders, brought together the ensemble of legendary Cuban musicians to record an album (also called Buena Vista Social Club) and to perform two times with a full line-up: in April 1998 in Amsterdam (two nights) and the 1st of July 1998 in the United States (at the Carnegie Hall, New York City). Although they are geographically close, travel between Cuba and the United States is restricted due to the political tension between the two countries, so many of the artists were travelling there for the first time; the film shows their reactions to this experience, as well as including footage of the resultant sell-out concert. It also includes interviews with each of the main performers.

Musicians[edit]

• Francisco Repilado, aka Compay Segundo (vocals and tres)
• Eliades Ochoa (vocals and guitar)
• Ry Cooder (slide guitar)
• Joachim Cooder, Ry's son (percussion)
• Ibrahim Ferrer (vocals, congas, claves, bongos)
• Omara Portuondo (vocals)
• Rubén González (piano)
• Orlando 'Cachaito' López (Double bass)
• Manuel 'Guajiro' Mirabal (trumpet)
• Barbarito Torres (laúd)
• Manuel 'Puntillita' Licea (vocals)
• Juan de Marcos González (güiro)

Songs[edit]

1. 'Chan Chan' (Francisco Repilado)
2. 'Silencio' (Rafael Hernandez)
3. 'Chattanooga Choo Choo' (Harry Warren and Mack Gordon)
4. 'Dos Gardenias' (Isolina Carillo)
5. 'Veinte Años' (María Teresa Vera)
6. 'Y Tu Que Has Hecho?' (Eusebio Delfin)
7. 'Black Bottom' (Ray Henderson, Lew Brown and B. G. De Sylva)
8. 'Canto Siboney' (Ernesto Lecuona Casado)
9. 'El Carretero' (Jose 'Guillermo Portabales' Quesada del Castillo)
10. 'Cienfuegos (tiene su guaguanco)' (Victor Lay)
11. 'Begin the Beguine' (Cole Porter)
12. 'Buena Vista Social Club' (Orestes Lopez, inventor of the mambo in 1937)
13. 'Mandinga' (also known as 'Bilongo', Guillermo Rodriguez Fiffe)
14. 'Candela' (Faustino Oramas),
15. 'Chanchullo' (Israel 'Cachao' Lopez, the father of Cachaito)
16. 'El Cuarto de Tula' (son/descarga, Sergio Siaba)
17. 'Guateque Campesino' (Celia Romero 'Guateque')
18. 'Nuestra Ultima Cita' (Forero Esther)
19. 'Quizás, Quizás, Quizás' (bolero by Oswaldo Farres)

Release[edit]

Critical reception[edit]

Buena Vista Social Club received critical acclaim. On Rotten Tomatoes, the film has a 91% 'Certified Fresh' score based on 44 reviews, with an average rating of 7.5/10.^[3]Metacritic reports an 81 out of 100 rating based on 19 critics, indicating 'universal acclaim'.^[4]

Accolades[edit]

The film was nominated for an Academy Award for best documentary feature in 2000,^[5] it won as best documentary in the European Film Awards as well as many others. The album Buena Vista Social Club features studio versions of the music heard in the film.

Buena Vista Social Club Cuba

Influence[edit]

The film helped the musicians, some of them already in their nineties, become known to a worldwide audience, with some going on to release popular solo albums; these included Ibrahim Ferrer, Compay Segundo, Rubén González and Elíades Ochoa. The latter went on to support younger musicians making the same style of music beyond 2010 under the name 'Buena Vista Social Club'.

See also[edit]

Buena Vista Social Club Movie

References[edit]

1. ^'BUENA VISTA SOCIAL CLUB (U)'. British Board of Film Classification. 2 July 1999. Retrieved 9 February 2016.
2. ^'Buena Vista Social Club'. Box Office Mojo. IMDB. Retrieved 10 August 2014.
3. ^'Buena Vista Social Club (1999)'. Rotten Tomatoes. Flixster. Retrieved 9 February 2016.
4. ^'Buena Vista Social Club reviews'. Metacritic. CBS Interactive. Retrieved 9 February 2016.
5. ^'Buena Vista Social Club'. NY Times. Retrieved 22 November 2008.

External links[edit]

• Buena Vista Social Club on IMDb
• Buena Vista Social Club at Box Office Mojo
• Buena Vista Social Club at Rotten Tomatoes
• Buena Vista Social Club at Metacritic
• Buena Vista Social Club: A City in Time an essay by Joshua Jelly-Schapiro at the Criterion Collection